SOME WORDS - New York, June 2020.
Foreigner everywhere, daughter of a French father and a Mexican mother, I was born in São Paulo, Brazil and live in New York since 2018. My roots and ties are in all these places. Main references are inherited, lived and invented memories. They are mixed and confuse. The mystery of being alive fascinates me. Fractals, Dynamic Systems, and Chaos Theory are sources of inspiration. Among snakes and lizards, by mistake I became a biologist. When I tripped over a camera I realized that life was to be lived with poetry. In 2000 I threw everything up, started creating, and went back to study. After completing a Bachelor degree in Visual Arts (2007), I was awarded an art residence at Cité Internationale des Arts (Paris, 2008), and in 2011, I received a Master’s degree in Visual Arts. I have participated in exhibitions in Brazil and abroad, in institutional, public, alternative spaces, and galleries.
With my feet in the air, I live and create in search of my place and my peers. I wish to inhabit, establish bonds, and built affections. As a social environmentalist at heart, I love nature and people. The artworks are experimental and procedural, with frequent improvisation, and public participation. They investigate identity and its dynamic relation with space, time and otherness. Why and how could we recognize simultaneously our particular and our collective nature?
Performances, urban interventions and “habitations (audio-visual installations) are offered. Exploration and hybridization of diverse media, such as audio, video, photography and painting are used to expand undefined zones of transition. There is an intention of subverting space-time constraints, to obtain perceptual situations of encounter and exchange, in which a present continuous time can be experienced. The present is the future!
Suely Rolnik's publications, and both the works and the writings of Lygia Clark are prime references that stimulate and nurture the production of artworks.
SOME WORDS - New York, April 2020.
I seek through art, to discover the relationship between people and the things that make up our existence. How do these relationships affect us?
Biology, a field of study prior to my training and artistic performance, is an inspiring basis, not only from a thematic point of view, but as a reference for the development of strategies and procedures that I incorporate in the creative process.
I explore various media, their limits and crossings, in order to reinvent interstitial spaces without defined boundaries, and inhabit them. Videos, photographs and paintings are often used to create installations, interventions and performances. The finished works are records of an event, of an experience. They are procedural.

SOME WORDS - New York, October 2019.
The artworks are experimental and procedural, with frequent improvisation, public participation, and and socio-environmental engagement. They investigate identity and its dynamic relation with space, time and alterity. Could Earth be perceived as a body if seen from outside? Is space a body? Despite our individuality, are we separable from environment? Why and how could we recognize simultaneously our particular and our collective nature? How to accurate connection with space, present time and others?
Fractals, Dynamic Systems, and Chaos Theory are sources of inspiration. Performances, urban interventions and “habitations (audio-visual installations) are offered. Exploration and hybridization of diverse media, such as audio, video, photography and painting are used to expand undefined zones of transition. There is an intention of subverting space-time constraints, to obtain perceptual situations of encounter and exchange, in which a present continuous time can be experienced. There is an intent  to use art, as facilitator for practice of listening and establishment of connections. Notions of awareness through movement constitute foundations in the creative process.
Suely Rolnik's publications, and both the works and the writings of Lygia Clark are prime references that stimulate and nurture the production of artworks. 

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