MEMÓRIAS (MEMORIES)

Memórias (Memories), 2 editions, iron and electric welding, 40 x 36 x 5 in, 2002. Presented at the exhibition "México Imaginário" at Casa das Rosas, São Paulo.

Janelas (Windows), 4 editions, iron and electric welding, 32.3 x 32.3 in, 2003.
Janelas (Windows), 4 editions, iron and electric welding, 32.3 x 32.3 in, 2003.
Portas (Doors), 2 editions,  iron and electric welding, 38 x 26.4 in, 2003.
Portas (Doors), 2 editions, iron and electric welding, 38 x 26.4 in, 2003.
Maratona (Marathon), 4 editions, iron and electric welding, 57 x 19.7 in, 2003.
Maratona (Marathon), 4 editions, iron and electric welding, 57 x 19.7 in, 2003.
Paredes II (Walls 2), 2 editions, iron and electric welding, 35 x 35.4 in, 2003.
Paredes II (Walls 2), 2 editions, iron and electric welding, 35 x 35.4 in, 2003.
Labirinto (Maze), 2 editions, iron and electric welding, 41 x 49.2 in, 2003.
Labirinto (Maze), 2 editions, iron and electric welding, 41 x 49.2 in, 2003.
O passar do tempo I (Over time I), 5 editions, iron and electric welding, diameter 29.1 in, 2003.
O passar do tempo I (Over time I), 5 editions, iron and electric welding, diameter 29.1 in, 2003.
O passar do tempo II (Over time II), 5 editions, iron and electric welding, 29.1 in, 2003.
O passar do tempo II (Over time II), 5 editions, iron and electric welding, 29.1 in, 2003.
O passar do tempo III (Over time III), 5 editions, iron and electric welding, 29.1 in, 2003.
O passar do tempo III (Over time III), 5 editions, iron and electric welding, 29.1 in, 2003.
HORIZONTES MUTANTES (MUTANT HORIZONS)
Metrópole (Metropolis), articulated iron, 10.7 x 26.8 x 26.8 (variable), 2002. Varied placements.
Campo (Field), articulated iron, 7 x 33 x 8 (variable), 2002. Varied placements.
Cidade (City), articulated iron and string, 7 x 34 x 4.8 (variable), 2002. Varied placements.
Montanha (Mountain), articulated iron, 15.8 x 20.5 x 11 (variable), 2002. Varied placements.
CRISE (CRISIS)
Nó na Cabeça (Knot in the head), wire and tin solder, 27.5 x 28.3 in, 2002.
Nó na Cabeça (Knot in the head), wire and tin solder, 27.5 x 28.3 in, 2002.
Caos (Chaos), wall sculpture, wire and tin solder, 18.9 x 9.8 in, 2002.
Caos (Chaos), wall sculpture, wire and tin solder, 18.9 x 9.8 in, 2002.
Por um fio (By a thread), wall sculpture, wire and tin solder, 5.2 x 12.2 in, 2002.
Por um fio (By a thread), wall sculpture, wire and tin solder, 5.2 x 12.2 in, 2002.
LIVRO DE CABECEIRA (BEDSIDE BOOK)
Front view.
Front view.
Back view.
Back view.
Livro de Cabeceira (Bedside Book), wire and tin solder, 11 x 41 in (variable), 2002.
NOVELOS (HANKS)
Células (Cells), wall sculpture, wire and tin solder, diameter 17.3 in, 2004.
Células (Cells), wall sculpture, wire and tin solder, diameter 17.3 in, 2004.
Família (Family), wall sculpture, wire and tin solder, diameter 18.5 in, 2004.
Família (Family), wall sculpture, wire and tin solder, diameter 18.5 in, 2004.
Novelo Cósmico 1 ( Cosmic Hank 1), wall sculpture, wire and tin solder, diameter 19.3 in, 2004.
Novelo Cósmico 1 ( Cosmic Hank 1), wall sculpture, wire and tin solder, diameter 19.3 in, 2004.
Novelo Cósmico 2 ( Cosmic Hank 2), wall sculpture, wire and tin solder, diameter 19.3 in, 2004.
Novelo Cósmico 2 ( Cosmic Hank 2), wall sculpture, wire and tin solder, diameter 19.3 in, 2004.
LOUIS HEAD
Louis head, 2003, Early Works, bronze sculpture.
INCONSCIENTE (UNCONCIOUS) Series
The UNCONSCIOUS series consists of the transposition to the physical world of imaginary figures brought by dreams, which insistently invade my mind. These figures, full of nervous vibrations, are momentarily stabilized when transposed to the real and concrete world in the form of two-dimensional sculptures, until a new mental resurgence in which they manifest the need to materialize in other ways. The process is completed only when the exhaustion of its expression is reached. They can then die and be reborn in the imaginary state, ensuring their continuity as the cycle of life.
Metal, the material chosen for the construction of these pieces, offers malleability, resistance, conductivity and transformation. Iron sheets are cut into small fragments, which in turn are connected with pieces of metal bar and solder, in order to compose different flat structures, light and agile shapes. They are like cells that together constitute a particular organism. In this process of construction and reorganization, as in nature, the multiple combinations also change into different formats, and result in new creations, new beings. The small fragments are micro mutant units, which pulsate, diversify and multiply, composing the COSMOS. The works resulting from the process have a lightness that contrasts with the hard and heavy nature of the material used.
With this series of wall sculptures, I seek to introduce a small parallel between science and human thought, inspired from the creative processes of nature.
Mais 2 (Plus 2), iron and electric welding, 5 editions, 42.9 x 43.3 in, 2002.
Mais 2 (Plus 2), iron and electric welding, 5 editions, 42.9 x 43.3 in, 2002.
Retalhos 2 (Patchwork 2), iron and electric welding, 22 x 26 in, 2001.
Retalhos 2 (Patchwork 2), iron and electric welding, 22 x 26 in, 2001.
Menos (Minus), iron and electric welding, 3 editions, 15.7 x 53 in, 2002. Presented at the exhibition "VAU" at Centro Cultural Banco Central, São Paulo.
Menos (Minus), iron and electric welding, 3 editions, 15.7 x 53 in, 2002. Presented at the exhibition "VAU" at Centro Cultural Banco Central, São Paulo.
Travessia 3 (Crossing 3), 3 ed., iron and electric welding, 53.5 x 16.1 in, 2002.
Travessia 3 (Crossing 3), 3 ed., iron and electric welding, 53.5 x 16.1 in, 2002.
Colar (Necklace), 4 editions, 31.5 x 23.6 in, 2001.
Colar (Necklace), 4 editions, 31.5 x 23.6 in, 2001.
Razão e Sentidos (Reason and Senses), 2 ed., 51.2 x 22.4 in, 2002.
Razão e Sentidos (Reason and Senses), 2 ed., 51.2 x 22.4 in, 2002.
Travessia 1 (Crossing 1), 1 edition, iron and electric welding, 37 x 11.8 in, 2001.
Travessia 1 (Crossing 1), 1 edition, iron and electric welding, 37 x 11.8 in, 2001.
Travessia 2 (Crossing 2), 3 editions, iron and electric welding, 16.1 x 53.5 in, 2002.
Travessia 2 (Crossing 2), 3 editions, iron and electric welding, 16.1 x 53.5 in, 2002.
Prolífera (Prolifer), 5 editions, iron and electric welding, 34.25 x 41.73 in, 2000.
Prolífera (Prolifer), 5 editions, iron and electric welding, 34.25 x 41.73 in, 2000.
Ser (Being), 5 editions, iron and electric welding, 14.6 x 14.6 in, 2000. iron and electric welding, 19.3 x 18.5 in, 2000.
Ser (Being), 5 editions, iron and electric welding, 14.6 x 14.6 in, 2000. iron and electric welding, 19.3 x 18.5 in, 2000.
Lua (Moon), 4 editions, iron and electric welding, diameter 20.5 in, 2000.
Lua (Moon), 4 editions, iron and electric welding, diameter 20.5 in, 2000.
Mais 1 (Plus 1), 5 editions, iron and electric welding, 43 x 42.9 in, 2001.
Mais 1 (Plus 1), 5 editions, iron and electric welding, 43 x 42.9 in, 2001.
Retalhos 1 (Patchwork 1), 5 editions, iron and electric welding, 19.3 x 18.5 in, 2000.
Retalhos 1 (Patchwork 1), 5 editions, iron and electric welding, 19.3 x 18.5 in, 2000.
Brotos (Sprouts), 4 edition, iron and electric welding, 26.7 x 21.7 in, 2000.
Brotos (Sprouts), 4 edition, iron and electric welding, 26.7 x 21.7 in, 2000.
Evolução (Evolution), 3 editions, iron and electric welding, 21.7 x 36 in, 2000.
Evolução (Evolution), 3 editions, iron and electric welding, 21.7 x 36 in, 2000.
O meu jardim (My garden), 4 edition, iron and electric welding, 15.8 x 18.5 in, 2000.
O meu jardim (My garden), 4 edition, iron and electric welding, 15.8 x 18.5 in, 2000.

You may also like

Back to Top